The River Dee (shortened version of Afon Dwfrdwy, waters of the Goddess) flows through North Wales on its journey to the sea. It forms Llyn Tegid at Bala, and flows out of it as it continues its journey. It has been called one of the most sacred rivers in Britain, in Celtic and pre-celtic times. Its the goddess, this river, Ayrwen who in the story of Taliesin pushes Gwion Bach through his transformations at the hands of Cerridwen to be come initiated as a druid.
Where she meets the sea, the mouth of the estuary is called The Point Of Ayr. There are no other settlements or land points in the area that the 'Ayr' refers to. It is the last place in this land where her name is carried on in a location name. The mouth of her waters.

Where she meets the sea, the mouth of the estuary is called The Point Of Ayr. There are no other settlements or land points in the area that the 'Ayr' refers to. It is the last place in this land where her name is carried on in a location name. The mouth of her waters.

Last week I took the opportunity to get back to the Point of Ayr for a much needed visit.
Instead of heading straight onto the beach, this time I was drawn to walk along the coastal path to the RSPB hide, where I had never been before.
It hadnt occourred to me that this path goes right alongside the gas processing plant, processing the gas piped in from the Bay of Liverpool and then sending it on to Connahs Quay power station.
Not really what I expect to see at the Point of Ayrwen, the place where she still holds onto the land with her name. Maybe in some sense the fire from the flaring stack fulfills some kind of symbolism, a flaming torch still burns there....in the long run its us that will pay the price, the land and herself, will carry on regardless of our survival.
Desolation.
Abandonment.
Abandonment.
I tried to use the narrative that we are always given, about nature reclaiming the land after we have moved on, nature taking over, re-wilding. But it fell on deaf ears. A few invasive non native species clinging on to the concrete just didnt convince me.
Desolation, abandonment, not of the coal mine or the industry that had been here, but of an older belief in the sacredness of this piece of land.
As I walked back I now noticed that the edges had been planted with new saplings. A token gesture. I just felt that this should not be allowed to happen in the first place. Bolting the stable door after the horse has bolted is not good enough.
Desolation, abandonment, not of the coal mine or the industry that had been here, but of an older belief in the sacredness of this piece of land.
As I walked back I now noticed that the edges had been planted with new saplings. A token gesture. I just felt that this should not be allowed to happen in the first place. Bolting the stable door after the horse has bolted is not good enough.
I felt a sudden need to sit down on the grass and listen to the spirits, so I did, and there were several around, but one over riding one, she was caring and gentle, Repeating "Anooshka Anooshka" and I was getting repeated imagery of pathways, tracks lined by trees, that grew and grew over the pathways to make tunnels, repeated imagery of a vegetative figure with branches that were like antlers...
She is still there.
I walked back towards the beach, the flame still burning, and I bumped into a couple of young teenagers who wanted to touch my hair, full of questions.
It was not dusk and I went onto the beach in the failing light, soon it was dark and I felt her presence around me. A few spots of rain fell onto my face from the black clouds overhead. It should be much colder than this, but I felt warm and alive, and held. Though the wind was howling through the sand dunes, it gently caressed my cheek as I danced on the wet sand.
"I am the storm, and yet I hold myself back..."




























